If I ever meet the person responsible for reality programming at Bravo I may just have to kiss them on the lips. And maybe slip them a little tongue. And, if they're into that kind of thing, I may let them cop a feel. Because gosh darn if they aren't the most brilliant TV type person ever on the face of the planet.
I'm not sure how or why I turned into Project Runway the first time. I suspect it may have been one of those Saturdays where I was home alone and had a lot of housework to get done, so just wanted something on in the background. But gosh darn it if I didn't get totally sucked in. Which makes sense, because I'm a girl and girls like clothes. And darn if it wasn't a fun show to watch.
Then along came Top Chef and Top Design, and of COURSE I was going to watch those, because I'm into cooking and interior design and could totally be a contestant on one of those shows someday and need to be prepared. And I got some good ideas from the things they did. And they were darn fun shows to watch.
The latest creation is Shear Genius, about hairdressers. Which, really, I could give a crap about. Sure, I love my hairdresser to pieces. And sure, I am pretty fearless when it comes to getting a haircut. But I have thick, straight hair, which really limits what you can do with it. Especially when I refuse to use chemicals on it. So hairdressing is not so compelling to me. But one night I happened to flip it on, and damn if it isn't a fun show to watch. I have yet to program it into the TiVo, but part of that is because Bravo replays the shows so many times that there's no worry of me missing an episode if I want to see it.
And the thing is, these are all, essentially, the same show. Bravo has created a formula for reality TV competitions that works so darn well they can just keep reusing it over and over and over and over and over again.
So, want to make your own show following the formula? Here you go:
1. Focus on a career that is creative, but also requires a certain level of technical know-how.
2. Find a host that is personable, knowledgeable in the field, and can be either a mentor or nurturer to the contestants.
3. Find 2-3 judges who will participate through the whole season. The host can serve as a judge, but that is not necessary. Everyone on the planet should question one of the judges sanity. One judge should be really nice and care about the contestants.
4. Collect around a dozen contestants. Around half of them should be so bland and forgettable that their mother might not recognize them walking down the street. The other half need to have such outlandish personalities that you can barely stand to be in the same room with them. Bonus points if one of the contestants only goes by one name and/or an obviously made up moniker. Also, you want a range of talents and backgrounds. Some people for whom the challenge at hand is outside of their comfort zone, and some who are so cocky from their credentials that they have the prize money already spent. The mix of characters is one of the BIG keys to success, as with such diversity there's always a story to be found.
5. Structure the show around two challenges. A short challenge, which will determine immunity for the week or provide some other fabulous prize, and a long challenge, which will be what the elimination is based on. The two challenges should be at least speciously related to each other.
6. At least one of the challenges must ask the people to go so far outside the comfort zone it is in a land where there is no comfort zone. See: Designing clothes out of plants, or cutting hair with hedge trimmers. The talented people can rise above the challenge.
7. At least one of the challenges must be completely and utterly lowbrow. See: Planning a dish for TGIFridays, or buying all your furniture at garage sales. This helps weed out the snobs who are too good for us plain folk.
8. At least one challenge must require competitors to work together. This can either be dividing them up into teams, or giving them one big challenge and requiring them to delegate and perform the individual pieces in coordination with each other. This helps determine who cares more about the competition than the career. Plus, we do not work in a bubble.
9. The show needs to focus on the challenges, and not on life in the loft outside of challenges, or what everyone does in their free time. It's OK to dip into that area occasionally, but preferably if it relates to the challenges in some way.
10. Come up with some ultra-cheezy, but totally memorable tag line that the host can say to the contestants at some key point in each episode.
And there you have it, reality TV is as easy as that!